Expositie over Claude Debussy en de beeldende kunsten

In het Parijse Musée de l’Orangerie is nog tot en met 11 juni de fraaie expositie over Claude Debussy en de beeldende kunsten te zien: ‘The exhibition intends to evoke the major relationships knit by the musician with artists and poets of his time, in particular through the collections of three families with which he was closely acquainted and who supported him during the difficult years that preceded the first performance of Pelleas and Melisande : that of the painter Henry Lerolle (1848-1929), of the composer Ernest Chausson (1855-1899) and of Arthur Fontaine (1860-1931), Councillor of state. In these surroundings, in which refinement, taste and simplicity excluded all society life, the musician could admire works by Degas, Renoir, Vuillard, Gauguin, Camille Claudel, Maurice Denis, Redon, Bonnard, Carrière and Puvis de Chavannes. Paintings, drawings and pastels will be shown alongside letters and photographs by these artists and original editions by Gide, Louÿs and Valéry, as well as manuscripts by Chausson and Debussy.’

In het Parijse Musée de l’Orangerie is nog tot en met 11 juni de fraaie expositieover Claude Debussy en de beeldende kunsten te zien: ‘The exhibition intends to evoke the major relationships knit by the musician with artists and poets of his time, in particular through the collections of three families with which he was closely acquainted and who supported him during the difficult years that preceded the first performance of Pelleas and Melisande : that of the painter Henry Lerolle (1848-1929), of the composer Ernest Chausson (1855-1899) and of Arthur Fontaine (1860-1931), Councillor of state. In these surroundings, in which refinement, taste and simplicity excluded all society life, the musician could admire works by Degas, Renoir, Vuillard, Gauguin, Camille Claudel, Maurice Denis, Redon, Bonnard, Carrière and Puvis de Chavannes. Paintings, drawings and pastels will be shown alongside letters and photographs by these artists and original editions by Gide, Louÿs and Valéry, as well as manuscripts by Chausson and Debussy.’

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